Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult printmaking workshops for SGC International members. Please email reg@
Liz Ferrill
Artistic Director of Painting, Drawing & Printmaking; Artists-in-Residence Program; Critical Dialogue Program
Liz Ferrill is the Artistic Director of Painting, Drawing and Printmaking at Anderson Ranch. She received her MFA from the Rhode Island School of Design. She has had solo exhibitions nationally and internationally, including in Aspen, Nashville, Omaha, New York City, and Berlin, Germany.
Lindsey Yeager
Studio Coordinator of Paint and Printmaking
Fueled by a need to find closure in a deteriorating world, Wisconsin-born Lindsey Yeager paints and illustrates connections between society and nature, between human and animal, translating and reframing human contexts into fearful, raw, and feral allegories. Lindsey received a BFA in New Studio Practice and Illustration from Milwaukee Institute of Art & Design in 2021 and she went on to win two Society of Illustrators awards and participate in the 2021-22 cycle of Plum Blossom Initiative’s Bridge Work residency. Her work has been shown at Var Gallery, Mana Contemporary, Soft Times Gallery, Museum of Wisconsin Art, and Society of Illustrators, among others. Lindsey is represented by Var Gallery in Milwaukee.
Andrew Betancourt
Printmaking Studio Technician
Andrew Betancourt is a Printmaker and Ceramics artist born and raised in El Paso, Texas. He earned his BFA in Printmaking with a minor in Ceramics from The University of Texas at El Paso (UTEP). During his academic career, Andrew was the recipient of The Manuel Acosta Memorial Art Scholarship and The Carl and Margaret Jackson Fellowship. He worked as a studio assistant for Printmaking during his time at the university and now works as an assistant to Master Printer Brian Shure at Anderson Ranch Arts Center in Colorado. Preferred Pronouns (He/They)
Brian Shure
Master Printer-in-Residence
Brian Shure is the Master Printer-in-Residence of Anderson Ranch Editions. Brian Shure is represented by Planthouse Gallery in New York, where he curated the 2018 show Bathing. He has taught at RISD, Brown, and Cornell and conducted classes in China, Japan, Mexico, and Germany.
Anderson Ranch Campus
Upcoming Workshops
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O
Open to All
Students of any skill and knowledge level.
Jun 2 - 5, 2025
9AM-5PM
Experimental Screen Printing
J. Leigh Garcia
Tuition $1,345
Code R0101-25
In this 5-day exploratory workshop, we start from the basics of water-based screen printing, then work our way up to more advanced and increasingly experimental techniques. Exciting methods—such as analog processes including reduction with screen filler, and digital processes using photo emulsion—are introduced and demonstrated with plenty of studio time to print. Students also experiment with watercolor monoprinting and even graphite prints. Throughout the week, we discuss tips and techniques that students can use to keep printing at home with minimal setup and equipment.
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O
Open to All
Students of any skill and knowledge level.
Jun 9 - 13, 2025
9AM-5PM
Photography Meets Printmaking: From Image to Screen
Kate Leonard
Tuition $1,405
Code P0204-25
Dive into image-making and screen printing through the Riso MiScreen silkscreen technique, where creativity meets exploration. This innovative, direct image-to-screen print method invites students to experiment with bold graphic text and imagery while layering them onto collage panels alongside expressive, painterly marks. The technique is perfect for artists eager to take risks, push boundaries, and discover the possibilities of integrating silkscreen's iconic graphic style into their own artistic practice. With its versatility, this approach encourages hands-on exploration, making it a gateway for students to experiment and grow creatively.
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II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 9 - 13, 2025
9AM-5PM
Shaped Plate Intaglio
Camilla Taylor
Tuition $1,345
Code R0202-25
Moving beyond the constraints of the rectangle, shaped plate intaglio has endless possibilities and potential applications that can push printmakers into new directions. In this workshop, students learn to make and utilize the basic studio equipment for shaped plate intaglio: a v-slot, and then etch, cut, and print their own shaped copper plate. The workshop culminates with multiple, finished, original prints and the potential to attach a mounting to the shaped copper plate for display. Additionally, shaped plate drypoint with plastic sheeting, papier colle, and spray paint aquatint are explored.