Sculpture
Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.
Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.
Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.
William Lanzillo
Studio Coordinator of Sculpture
William Lanzillo is a sculptor whose work includes objects, performances, and interactive experiences. He received a BA from Carleton College in 2019, studying both psychology and studio art. He recently earned an MFA in Sculpture from Cranbrook Academy of Art in 2023.
Anderson Ranch Campus
Upcoming Workshops
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O
Open to All
Students of any skill and knowledge level.
Jul 15 - 19, 2024
9AM - 5PM
No Strings on Me: Marionette Making
Russell Hamilton
Tuition $1,160
Code S0705-24
The embodiment of human expression and mimicry, marionettes have historically captivated the imagination through their theatrical and allegorical power. This workshop guides participants through the process of designing, constructing, and presenting a marionette doll using personal stories and a variety of materials and processes such as wood, metal, 3D printing, and found objects.
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Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Jul 22 - 26, 2024
9AM - 5PM
Master Class: The Engineer and Madam Bricolage are Lovers
Sheila Pepe
Tuition $1,270
Code S0806-24
In the early 1990s "Bricolage" was heavily referenced as a method of discourse, based on ideas found in the works of French theorists Claude Levi-Straus and Jacque Derrida. Thirty years later the term has become ubiquitous, naming entrepreneurial theory, restaurants, and architecture firms. Lifting small quotes from original texts, Sheila leads a master class in her favorite studio methods of accumulation, construction, and "taking apart and putting- back together," all the while subjecting outcomes to tests of complexity, legibility, and aesthetic resolve. Open to all media from metal to found materials to fabric, this class encourages participants to come with their own set of studio practices and concerns, but to be looking for an opportunity to grow and expand their work.
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O
Open to All
Students of any skill and knowledge level.
Jul 29 - Aug 2, 2024
9AM - 5PM
Creative Reuse
Jean Shin
Tuition $1,250
Code S0907-24
By adopting creative reuse strategies in art-making practices, artists will transform everyday objects and discards into assemblages, sculptures, and installations. When researching a common object’s history, its use, circulation, and disposal, we see the devastating consequences of extractive practices and overconsumption on our planetary health. How can artists instead, use our junk and leftover scraps to hold memory, tell stories, and evoke regenerative possibilities? While salvaging and repurposing materials, artists explore innovative ways to infuse personal meaning, cultural significance, and ecological urgency in their artwork. This workshop is structured around group critiques, individual feedback, and studio time.