Sculpture
Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.
Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.
Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.

William Lanzillo
Studio Coordinator, Sculpture
William Lanzillo is a sculptor whose work includes objects, performances, and interactive experiences. He received a BA from Carleton College in 2019, studying both psychology and studio art. He recently earned an MFA in Sculpture from Cranbrook Academy of Art in 2023.






Anderson Ranch Campus
Upcoming Workshops>

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I
Level I
Students are new to sculpture and have no formal training.
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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
Jun 2 - 6, 2025
9AM-5PM
The Brutal and the Delicate: Steel Combined with Soft Materials
Carl Reed
Tuition $1,290
Code S0102-25
Throughout art history, steel has been associated with industry, violence, and strength. This workshop challenges such connections by investigating ways steel can become visually delicate, and by inventing new meanings and visual relationships through combining steel with materials with opposite characteristics. Exercises address technical and creative inquiries regarding how steel is cut, shaped, and physically joined, and how to challenge material assumptions if steel becomes a secondary, rather than primary, compositional element. We explore the aesthetic and technical consequences of combining steel with soft, vulnerable, contradictory, and unexpected materials.

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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
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III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.
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IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Jun 2 - 13, 2025
9AM-5PM
Building With Clay and Steel
Trey Hill
Tuition $2,010
Code S0101-25
Investigate new materials and approaches to building sculpture in this two-week exploratory workshop. Students discover innovative ways to combine different materials, creating dynamic mixed-media sculptures. This workshop experiments with adding different materials to students’ work—such as clay, steel, and found objects—while considering how each adds formal information and intensified content. This rigorous studio environment gives access to a variety of new materials and fresh ways of approaching students’ studio practice. The workshop is open to students working in any media who are looking to try something different and add new skills to their toolbox.

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III
Level III
Students have some formal training in 3-D design, experience with a variety of materials and fabrication processes, and know how to use machine and hand tools competently and safely. Students have a portfolio of their artwork.
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IV
Level IV
Students have advanced skill and knowledge of furniture design. Students are highly motivated and have multiple portfolios of their artwork.
Jun 16 - 20, 2025
9AM-5PM
Summer Studio Session: Furniture Design and Woodworking
Lane Preston
Tuition $1,240
Code W0316-25
Anderson Ranch’s Studio Session approach provides artists the opportunity to work on independent projects while receiving regular one-on-one mentoring and critique sessions with Anderson Ranch artistic staff and interns. Each participant receives an assigned studio space, orientation and access to equipment, as well as five hours of weekly technical guidance in the Ranch’s state-of-the-art facilities. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Bench and gluing rooms open 24 hours a day. LIMITED machine tool room access from 9am – 5pm and evening open tool room hours 7pm – 9pm Monday through Thursday. Studio Sessions are available to artists with prior experience in woodworking, tools, and safety. All participants will be required to attend safety orientations for the facilities and specific tools they will use. TO APPLY: Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Lane Preston, Studio Coordinator of Woodworking & Furniture Design, at [email protected] The single PDF must be less than 10 MB to be considered. Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the studio session you are applying for. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed.