Jean Gumpper
Jean Gumpper was born in Hawaii, grew up in Michigan and spent time in several states before moving to Colorado. Jean is a Senior Lecturer and artist in residence at Colorado College. Her prints are represented by several galleries nationally and internationally. She has received a Visual Artist Fellowship award from the Colorado Council on the Arts.
Jean's Links:
Jean's Upcoming Workshops
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II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 23 - 27, 2025
9AM-5PM
Layering Color and Light: Woodcut and Monoprint
Jean Gumpper
Tuition $1,345
Code R0404-25
This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.
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II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
-
III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 30 - Jul 4, 2025
9AM-5PM
Woodcut and Monoprint with Digital Applications
Jean Gumpper
Tuition $1,345
Code R0505-25
This rigorous, engaging, printmaking workshop combines monoprint and woodcut processes with a digital component. We incorporate laser-cut stencils and wood blocks together with painterly and carved marks to create images. We begin with observational studies from the natural world and explore multiple plate monotype methods. Woodcut techniques including laser-cut blocks are then added to layer transparent and opaque color. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine multiple matrices in many ways.