Painting & Drawing
Code: D0103-24
-
O
Open to All
Students of any skill and knowledge level.
Abstraction in Acrylic
Jun 3 - 7, 2024
9AM - 5PM
Concept
Make your imagery pop in this dynamic painting workshop open to all skill levels. Students are challenged to dive into acrylic on panel while embarking on an abstract approach to image making. Participants explore color theory, patterning methods, and how to use masking tape to create clean, sharp lines and angles. We investigate abstraction and find personal ways to create shape, consider composition and develop a sense of space. Emphasis is placed on hard/soft edge painting techniques and layering processes. Students are encouraged to let their creativity flow, while expanding their artistic techniques in this versatile and accessible painting medium.
Media
Color theory, pattern, masking tape methods, hard/soft edge painting techniques, layering methods, wood panel, acrylic paint
Supply ListFaculty
Robert Hill
Rob Hill is a geometric abstract painter from Los Angeles, CA. He holds a BFA from California College of the Arts. His work has been featured in Vogue, The NY Times, Art Basel and more. His admiration for geometric shapes is linked to historic Egyptian architecture, painting, and visual culture.
Rob Hill, FALGDIFAL
Join Waitlist for Abstraction in Acrylic
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand and power tools, computer access with Adobe software, wi-fi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jul 22 - 26, 2024
9AM - 5PM
Rendering the Tangible: Drawing from Life
Simon Haas, Liz Ferrill
Tuition $1,225
Code D0816-24
Participants allow themselves the time, space, and guidance to examine and respond to what they see in this drawing workshop open to artists of all skill levels. Each day, they embark on the fascinating journey of taking the time to make drawings from a live model, still life, personal objects/relics, and our natural surroundings, formally approaching drawing through exercises in line, contour, negative/positive space, value studies, and composition. Conceptual intent is also explored through choosing personal subject matter and discovering ways to best articulate through the immediate medium of drawing. Liz Ferrill will be present for the entire duration of the workshop; Simon Haas will join daily from 9am – 3pm.
-
II
Level II
Students have basic knowledge of 2-D art making including form, negative space, value and line.
Jul 22 - 26, 2024
9AM - 5PM
Watercolor: Abstract Flora
Jan Heaton
Tuition $1,275
Code D0815-24
Observe flowers with an exciting new perspective using abstraction interpreted in watercolor. Students capture not only what they see using watercolor, but also their personal responses as they paint form, line, shape, and work in color. Daily demonstrations, one-on-one instruction, and presentations provide the foundation for a dynamic exploration of this nuanced medium. A one-day plein air painting experience is part of this workshop, as a way to work from life and take it back into the studio to condense and deconstruct.
-
O
Open to All
Students of any skill and knowledge level.
Jul 29 - Aug 2, 2024
9AM - 5PM
Oil Painting: Color, Brush and Mark
Kylie Manning
Tuition $1,225
Code D0917-24
Embark upon an oil painting journey by learning the fundamentals of the medium and finding new ways to develop personal imagery. Emphasis is on developing the lush, nuanced surfaces that oil painting can accomplish, focusing on canvas preparation, underpainting, glazing, color, and brush stroke. Students are encouraged to consider the subject matter, narrative, and many formal concerns that support these concepts. Composition, form, mood, contrast, and surface are also topics to be explored. This rigorous course results in several paintings upon which to build and reflect.