Printmaking
Code: R0101-25
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Open to All
Students of any skill and knowledge level.
Experimental Screen Printing
Jun 2 - 5, 2025
9AM-5PM
Concept
In this 5-day exploratory workshop, we start from the basics of water-based screen printing, then work our way up to more advanced and increasingly experimental techniques. Exciting methods—such as analog processes including reduction with screen filler, and digital processes using photo emulsion—are introduced and demonstrated with plenty of studio time to print. Students also experiment with watercolor monoprinting and even graphite prints. Throughout the week, we discuss tips and techniques that students can use to keep printing at home with minimal setup and equipment.
Media & Techniques
Water-based screen printing, silkscreen, reduction screen printing, photo emulsion screen printing, watercolor monoprinting, graphite screen printing
Faculty
J. Leigh Garcia
J. Leigh Garcia was born and raised in Dallas, TX. Garcia received her MFA from the University of Wisconsin-Madison and BFA from the University of North Texas. Garcia currently lives in Knoxville, TN where she is an associate professor of Printmaking at the University of Tennessee.
Tuition: $1,345.00
Studio Fee: $150.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult printmaking workshops for SGC International members. Please email reg@
Workshop Details>
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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Level III
Students have significant experience in the print medium that is the subject of the workshop.
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Shaped Plate Intaglio
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Code R0202-25
Moving beyond the constraints of the rectangle, shaped plate intaglio has endless possibilities and potential applications that can push printmakers into new directions. In this workshop, students learn to make and utilize the basic studio equipment for shaped plate intaglio: a v-slot, and then etch, cut, and print their own shaped copper plate. The workshop culminates with multiple, finished, original prints and the potential to attach a mounting to the shaped copper plate for display. Additionally, shaped plate drypoint with plastic sheeting, papier colle, and spray paint aquatint are explored.
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Open to All
Students of any skill and knowledge level.
Jun 16 - 20, 2025
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Monotype on the Edge
Sarah Smelser
Tuition $1,345
Code R0303-25
Designed for the monotype-curious, this workshop explores an alternative approach to making unique, one-of-a-kind prints using the vocabulary of drawing, hard edges, transparency, and layered passages of color. We create complex, engaging works that can stand on their own or initiate collages, mixed media works, and printstallation. Enjoy printing both by hand and on the press, working intuitively or intentionally, to develop a body of related works on Asian paper. Demonstrations include trace monotype, stencil printing, counter-proofing, ghost printing, ink modification, seamless flats, and smooth blend rolls.
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II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 23 - 27, 2025
9AM-5PM
Layering Color and Light: Woodcut and Monoprint
Jean Gumpper
Tuition $1,345
Code R0404-25
This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. We begin with observational studies from the natural world, and explore trace, stencil, painterly, and multiple plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. We make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as we combine printing using a woodcut matrix with a variety of monoprint methods.