January Studio Sessions: Digital Fabrication

This class offers experimentation with methods of representation and abstraction using an interdisciplinary approach that embraces painted and/or photographic images, physical layers, repurposed materials, and sculptural forms. Analog methods of image manipulation, such as cutting, folding, and photo transfer, are taught with digital techniques. Though primarily working in the painting studios, students also learn to use the laser cutter and UV printer in the digital fabrication lab. Participants explore the role of texture and layers in their work through shadow, color, and surface. This course encourages playful and innovative ways to integrate two and three-dimensional elements.

Anderson Ranch’s Studio Session approach provides artists the opportunity to work on independent projects while receiving regular one-on-one mentoring and critique sessions with Anderson Ranch artistic staff and interns. Each participant receives an assigned studio space, orientation and access to equipment, as well as five hours of weekly technical guidance in the Ranch’s state-of-the-art facilities. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Bench and gluing rooms open 24 hours a day. LIMITED machine tool room access from 9am – 5pm and evening open tool room hours 7pm – 9pm Monday through Thursday. Participants may also access our state-of-the-art Digital Fabrication Lab if their proposal and portfolio reflect experience with digital tools and a desire to learn more. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, or two for an additional fee; click here to view Summer lodging options. TO APPLY: Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows: Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Lane Preston, Studio Coordinator of Woodworking & Furniture Design, at [email protected]. The single PDF must be less than 10 MB to be considered. Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying. Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed.

This three-year mentorship program is intended for ceramic artists interested in critical feedback and immersion in a creative community and who are at a point of transition in their lives, careers, or artistic practices. Emphasis is placed on seeking connections, metaphors, and symmetries between processes for forming clay and developing ways of generating meaning. The objects we make tell stories and propose worlds; a coil and a mold are both techniques for forming clay and also propositions about the meaningful interface of material, body, mind, economy, and culture. We focus on ways stories emerge from physical objects and how narratives give structure to physical form. We welcome participants from many different backgrounds and experiences, centering on work in clay but with the potential for different outcomes, including work in other materials, writing, sculpture, and design. 2025 is the third year of this three-year intensive program. For more information about our next session of The Center, which begins in 2026, please contact Betsy Alwin, Visiting Director of Ceramics and Expanded Media at [email protected].