Printmaking
Code: R1110-22
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II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
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III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Layering Color and Light: Woodcut and Monoprint
Aug 15 - 19, 2022
9AM-5PM
Concept
This rigorous, engaging printmaking workshop focuses on monoprint and woodcut methods with an emphasis on layering color to produce luminous results. Students begin with observational studies from the natural world and then explore trace, stencil, painterly and multiple-plate monotype methods. Woodcut techniques are then added to layer transparent and opaque color to create a radiant sense of space. Participants make both editioned and unique prints, alternating between structure and improvisation. This back-and-forth serves as the format for the course as one combines printing using a woodcut matrix with a variety of monoprint methods.
Media
Trace, stencil, additive and reductive monotype and carving, transferring images, color ink mixing, relief and monoprint processes from wood blocks and plexiglass with oil-based inks using a press and by hand, pochoir techniques using gouache, a variety of registration techniques, chine collé, editioning techniques
Supply ListFaculty
Jean Gumpper
Jean Gumpper is a faculty member and artist-in-residence at Colorado College whose prints have been exhibited nationally and internationally. She has been an artist-in-residence at Anderson Ranch Arts Center, Art Print Residence, Goldwell Museum, Grand Canyon National Park, Mackinac Island State Park, Rocky Mountain National Park, and Ucross Foundation. She has taught print workshops in Sweden and the United States.
Jean Gumpper, Arc
Join Waitlist for Layering Color and Light: Woodcut and Monoprint
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga and lithography. Students have access to individual work tables, wall space, palettes, rags, hand tools, power tools, computers with Adobe software, wi-fi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult workshops for SGC International members. Please email reg@
Workshop Details
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Mechanical Pencil .5mm
Paint brushes
We will be doing specific exercises using the above surfaces, but feel free to bring more of the above surfaces at the quality / size you prefer, or paper sheets, for other works to use during your studio time. These are just so we have some materials to begin working on as grounds, but if you have an alternative material or ground, feel free to bring instead.
Red Wallet Portfolio
Rives BFK
Five sheets minimum strong paper at least 22×30” (like Stonehenge or Rives BFK) or large roll of paper if you want to stay on paper for all projects- should be paper good for wet media
Sketchbook
Watercolor set
X-Acto knife and blades
Japanese papers for printing, such as: Kozo, Kitikata, Gampi.
Mulberry paper
4 – 6 sheets of Japanese rice papers, natural color or white, many kinds are possible. Recommended: Mulberry
Sharpie, black, fine point
Variety of brushes for oil-based applications
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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