Printmaking
Code: R1211-25
-
O
Open to All
Students of any skill and knowledge level.
Machine-Carved Mokuhanga
Aug 18 - 22, 2025
9AM-5PM
Concept
Japanese woodblock prints (mokuhanga) are characterized by the luminous brilliance of watercolors hand-printed from multiple blocks in tight registration using a traditional baren. No press is required, water is the only solvent, pigments sink deeply into the paper, and minimal workspace is needed. Students design block sets to be machine-carved using a laser engraver or CNC router, then ink and print the blocks using traditional mokuhanga techniques. This workshop takes place in both the Patton Print Shop and the Digital Fabrication Lab.
Media & Techniques
Mokuhanga, polychrome woodblock prints, digital applications to carve blocks, CNC, laser cutter
Faculty
Mike Lyon
Mike Lyon is a pioneering figure in the field of post-digital printmaking. He programs and adapts computer-controlled machinery to create prints, paintings, and other cool stuff in his huge Kansas City studio. Lyon’s work is in numerous museums and other public collections.
Mike Lyon, Madz
Tuition: $1,345.00
Studio Fee: $150.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our Printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students have access to individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult printmaking workshops for SGC International members. Please email reg@
Workshop Details
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 5, 2025
9AM-5PM
Experimental Screen Printing
J. Leigh Garcia
Tuition $1,345
Code R0101-25
In this 5-day exploratory workshop, we start from the basics of water-based screen printing, then work our way up to more advanced and increasingly experimental techniques. Exciting methods—such as analog processes including reduction with screen filler, and digital processes using photo emulsion—are introduced and demonstrated with plenty of studio time to print. Students also experiment with watercolor monoprinting and even graphite prints. Throughout the week, we discuss tips and techniques that students can use to keep printing at home with minimal setup and equipment.
-
O
Open to All
Students of any skill and knowledge level.
Jun 9 - 13, 2025
9AM-5PM
Photography Meets Printmaking: From Image to Screen
Kate Leonard
Tuition $1,405
Code P0204-25
Dive into image-making and screen printing through the Riso MiScreen silkscreen technique, where creativity meets exploration. This innovative, direct image-to-screen print method invites students to experiment with bold graphic text and imagery while layering them onto collage panels alongside expressive, painterly marks. The technique is perfect for artists eager to take risks, push boundaries, and discover the possibilities of integrating silkscreen's iconic graphic style into their own artistic practice. With its versatility, this approach encourages hands-on exploration, making it a gateway for students to experiment and grow creatively.
-
II
Level II
Students have a basic understanding of press operation, tools common to printmaking, paper preparation and basic principles of registration.
-
III
Level III
Students have significant experience in the print medium that is the subject of the workshop.
Jun 9 - 13, 2025
9AM-5PM
Shaped Plate Intaglio
Camilla Taylor
Tuition $1,345
Code R0202-25
Moving beyond the constraints of the rectangle, shaped plate intaglio has endless possibilities and potential applications that can push printmakers into new directions. In this workshop, students learn to make and utilize the basic studio equipment for shaped plate intaglio: a v-slot, and then etch, cut, and print their own shaped copper plate. The workshop culminates with multiple, finished, original prints and the potential to attach a mounting to the shaped copper plate for display. Additionally, shaped plate drypoint with plastic sheeting, papier colle, and spray paint aquatint are explored.