Painting & Drawing
Code: D0408-24
-
IV
Level IV
Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
Master Class: The Business of Art Making
Jun 24 - 28, 2024
9AM - 5PM
Concept
Although many programs exist to refine the technical skills of emerging artists, few aim to enrich their practice with the professional guidance essential to the success of their careers. From navigating relationships with potential gallerists to fostering the acumen to dissect legal jargon, this workshop aims to provide a fundamental basis for an artist’s longevity. Although the course takes place in the painting building, artists of all disciplines are invited to apply.
Portfolios will be accepted on a rolling basis. Instructions on how to submit your portfolio are as follows:
- Submit digital images of your work in one single PDF (as opposed to individual JPG attachments) via email directly to Lindsey Yeager, Studio Coordinator of Painting, Drawing & Printmaking, at [email protected]
- The single PDF must be less than 10 MB to be considered.
- Include 5-10 images of your work with image identification that lists the title, media, dimensions and year of each image. While not required, it is helpful to see an artist statement addressing the images you send. Include “Advanced Portfolio Review” in the subject line of your email, as well as the title of the workshop for which you are applying.
- Please provide a phone number where you can be reached and a link to your website. Submissions that do not follow the requested directions will not be reviewed.
If you are accepted, a deposit of $650 will be required within one week of notification of acceptance to hold your place. Housing will be assigned on a space-available basis upon enrollment.
Media & Techniques
Discussion, prompts, and professional practice content
Supply ListFaculty
Jasmine Wahi
Jasmine Wahi is the founder and co-director of Project for Empty Space, a nonprofit organization in New York City and Newark, NJ. Her multifaceted curatorial practice predominantly focuses on issues of femme empowerment, complicating binary structures within social discourses, and exploring multi-positional cultural identities through the lens of intersectional feminism. In 2023, she was honored by The Metropolitan Museum of Art for exemplary social impact work. In 2020, Wahi became the inaugural Holly Block Social Justice Curator at the Bronx Museum of the Arts.
Jasmine Wahi
Jasmine Wahi is the Founder and Co-Director of Project for Empty Space, a nonprofit organization in New York City and Newark, New Jersey. Her multi-faceted curatorial practice predominantly focuses on issues of femme empowerment, complicating binary structures within social discourses, and exploring multi-positional cultural identities through the lens of intersectional feminism. In 2023, Ms. Wahi was honored by The Metropolitan Museum of Art for exemplary social impact work. In 2020, PES, Ms. Wahi became the inaugural Holly Block Social Justice Curator at the Bronx Museum of the Arts, while simultaneously Co-Directing Project for Empty Space. While at the museum she curated several renowned exhibitions, including Born In Flames: Feminist Futures and Wardell Milan: AMERIKA. God Bless You If It’s Good To You, which was oriented around the thesis that visibility is the primary tenet of Social Justice. In 2019, Ms. Wahi gave her first TED Talk on intersectionality and visibility, entitled All The Women In Me Are Tired. A lover of learning and sharing, Ms. Wahi has taught at a number of art institutions, including Yale University, and the School of Visual Arts: MFA Fine Arts department. She is currently in the Faculty of Brooklyn College in New York City. Ms. Wahi received her own Art History education from New York University, where she has a BA in Art History from the College of Arts and Sciences, and an MA from the Institute of Fine Arts. Jasmine Wahi lives in Brooklyn, NY, with her chihuahua, Momo. You can follow her shenanigans and micro-essays on Instagram at @browngirlcurator. Photo by Dario Calmese
Mickalene Thomas, Liz with Hoops, 2023, Rhinestones and acrylic paint on canvas mounted on wood panel, 60 x 48 in 152.4 x 121.92 cm MTPT23-007
Join Waitlist for Master Class: The Business of Art Making
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand tools, computer access with Adobe software, wifi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details
Workshop Supplies
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Jan 6 - 17, 2025
9AM - 5PM
Painting and Photography: An Archaeological Approach to Text and Image
Kate Leonard
Tuition $2,150
Code JANSTU2025P
Two art forms collide in this fascinating look at the intersection of photography and painting. Join us for an engaging exploration of the artistic synthesis between these two distinct art forms. Discover new transfer techniques that integrate photographic images and text directly onto painted surfaces. Using traditional collage and photomontage, master new methods that allow for opaque and translucent layers. Reductive methods such as sanding and scraping reveal the history of earlier photographic layers and suggest an archaeological approach to image development. We begin each morning with a technical demonstration illustrated with visual examples from contemporary art. A range of integrated photographic painting approaches will be introduced on paper, canvas and panels in acrylic. By midweek, our investigations continue to larger artworks tailored to each student.
Jan 6 - 24, 2025
Monday-Friday, 9AM-5PM
Participants may register for one, two, or three weeks
TUITION is $1,110 per week or $3,300 for three weeks
January Studio Sessions: Painting & Drawing
Lindsey Yeager
Tuition $1,110
Code ZSD0101-25
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff. Each participant receives an assigned studio space, orientation and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day with limited use of equipment due to safety requirements. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Liz Ferrill to apply: [email protected]
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Painting: Encompassing Wonder
Jody Guralnick
Tuition $1,415
Code D0101-25
Observe nature with fresh eyes, letting time slow to examine the wild world closely. Investigate nature firsthand, using magnifying loupes to inspect subjects, contemplating life, growth, decay, and regeneration. Using the natural world as source material, we read, discuss, observe, and embark on a painting journey. The emphasis of this workshop is thinking about painting as process and movement rather than fixed form, depicting nature with paint without needing to reproduce observations in a literal way. Melding abstraction and representation, students discover and produce depth, allowing an image to float to the surface. We learn to develop form, mix color, and consider composition, all inspired by what we see around us.