Sculpture
Code: S0303-25
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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
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III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.
Material Mimicry: The Question of the Reproduced Form
Jun 16 - 20, 2025
9AM-5PM
Concept
Enhance mold-making knowledge and skills in this fast-paced casting workshop. We focus on the physical and conceptual implications of casting multiples, sharing and discussing strategies many artists use to shape space and create meaning with the cast form. Students refine their skills, learning how to cast a variety of materials- including silicone, plaster, and foam. Along with demonstrations of different mold-making techniques, students learn best studio practices for economical and efficient casting processes. Participants leave with new skills and a broader understanding of the role of the cast form in contemporary art.
Media & Techniques
Plaster, silicone, foam, found objects, mold boxes, cottle boards, scales, form-making, mold-making, casting, discussion
Faculty
Aaron T Stephan
Aaron T Stephan presents a wry look at the world around him focusing on the complex web of information carried by everyday materials and objects. His work has been featured at a wide range of venues across the US, as well as in more than 30 large-scale public art projects.
Betsy Alwin
Betsy Alwin is the Visiting Director of Ceramics and Expanded Media at Anderson Ranch. Betsy is a sculptor working across mediums. She has two decades of teaching and curriculum experience including serving as the Dean of Skowhegan School of Painting & Sculpture for several years. She attended Skowhegan, holds an MFA from Illinois State University, a BFA in Sculpture and a BA in Spanish language from Minnesota State University. Her work has been exhibited widely, including the Berkshire Botanical Gardens (Mass MoCA), the National Botanic Gardens in Washington D.C., AIR Gallery, New York, The Phipps Center, Hudson WI, the Waiting Room Gallery, Edina, MN, Burnet Fine Art Advisory, Wayzata, MN and Rubine Red Gallery in Palm Springs, CA. Public commissions include sculptures at the Onoden Elementary School in Tokyo, Japan, Franconia Sculpture Park in Shafer, MN and Silverwood Park in St. Anthony, MN. She is the recipient of numerous awards, including a 2022 Artist Individual Support Grant from the Minnesota State Arts Board. Alwin recently served as co-curator with Steve Locke for the exhibition Distance: Works on Paper at Dorsky Gallery in Long Island City, NY. Her work will be featured in the Clio Art Fair in New York City this May. Alwin is a member of the Minneapolis collective Rosalux Gallery and exhibits her work at Rubine Red in Palm Springs, CA.
Tuition: $1,290.00
Studio Fee: $190.00
Registration Fee: $45.00
NEW: Tuition includes the welcome dinner and daily lunch
Registration Information
Sculpture
Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.
Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.
Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.
Workshop Details>
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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Jan 6 - 24, 2025
Monday-Friday, 9AM-5PM
Participants may register for one, two, or three weeks
TUITION is $1,110 per week or $3,300 for three weeks
January Studio Sessions: Sculpture
William Lanzillo
Tuition $1,110
Code ZSS0101-25
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff and interns. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day and on weekends for students enrolled in multiple weeks, with limited use of equipment due to safety requirements. The machine rooms are only available when monitored – weekdays 9 AM-5 PM. Evening monitoring hours are Mondays - Thursdays, 7 – 9 PM. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Betsy Alwin to apply: [email protected]
-
II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
-
III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.
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IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Jun 2 - 13, 2025
9AM-5PM
Building With Clay and Steel
Trey Hill
Tuition $2,010
Code S0101-25
Investigate new materials and approaches to building sculpture in this two-week exploratory workshop. Students discover innovative ways to combine different materials, creating dynamic mixed-media sculptures. This workshop experiments with adding different materials to students’ work—such as clay, steel, and found objects—while considering how each adds formal information and intensified content. This rigorous studio environment gives access to a variety of new materials and fresh ways of approaching students’ studio practice. The workshop is open to students working in any media who are looking to try something different and add new skills to their toolbox.
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I
Level I
Students are new to sculpture and have no formal training.
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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
Jun 2 - 6, 2025
9AM-5PM
The Brutal and the Delicate: Steel Combined with Soft Materials
Carl Reed
Tuition $1,290
Code S0102-25
Throughout art history, steel has been associated with industry, violence, and strength. This workshop challenges such connections by investigating ways steel can become visually delicate, and by inventing new meanings and visual relationships through combining steel with materials with opposite characteristics. Exercises address technical and creative inquiries regarding how steel is cut, shaped, and physically joined, and how to challenge material assumptions if steel becomes a secondary, rather than primary, compositional element. We explore the aesthetic and technical consequences of combining steel with soft, vulnerable, contradictory, and unexpected materials.