Printmaking
Code: R0807-21
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II
Level II
Students have experience working with computer-aided design with basic principles of CAM/software.
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III
Level III
Students have some formal training in digital fabrication, experience with a variety of materials and fabrication processes, and know how to use CNC, 3-D printers, or laser cutters competently and safely. Students have a portfolio of their work.
Mono Matrix: digital & analog
Jul 26 - 30, 2021
9AM-5PM
Concept
Playfully and dynamically integrate the digitally-fabricated with hand-generated matrices to create one-of-a-kind prints. Primarily using monotype and relief methods, students make layered prints using access to Anderson Ranch Art Center’s Digital Fabrication Lab (“FabLab”) and the Patton Print Shop. In conjunction with making a range of stencils and blocks in the lab, students focus on graphic and painterly layering and experimentation in the printmaking studio. Digital and analog processes are demonstrated and integrated to support expansive possibilities and to broaden the scope of one’s imagery.
Media
Engraved woodblocks, cut paper stencils and hand-drawn matrices. Basic Photoshop skills are necessary.
Supply ListFaculty
Emily Ginsburg
Emily Ginsburg is an interdisciplinary artist who explores communication and its impact on the everyday through diverse media platforms. She is Professor, Chair of Media Arts, at the Pacific Northwest College of Art in Portland, OR. She received her MFA in Printmaking from Cranbrook Academy of Art.
Emily Ginsburg, Transmission #15 - detail
Join Waitlist for Mono Matrix: digital & analog
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Printmaking
Discover the exciting possibilities of this historically rooted medium. Our printmaking program fosters a supportive studio atmosphere where artists of all levels have the freedom to experiment and learn new techniques. Summer printmaking workshops, taught by accomplished artists and educators, offer a fresh take on the medium, mixing traditional processes with experimental attitudes.
Anderson Ranch’s Patton Printmaking Studio is clean, spacious, and outfitted with a variety of presses and equipment to accommodate screen printing, relief, intaglio, monoprinting, bookmaking, mokuhanga, and lithography. Students can access individual work tables, wall space, rags, hand tools, computers with Adobe software, wifi, printing, scanning, and projection capabilities.
At Anderson Ranch, the process of printmaking honors tradition, innovation, community and collaboration. We invite you to explore, experiment and expand your visual expression in this captivating environment.
Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult workshops for SGC International members. Please email reg@
Workshop Details
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Sketchbook (or way to generate ideas)
Sharpie, black, fine point
X-Acto knife with fresh blades
Retractable utility knife with snap-off blades
8 sheets of Rives BFK (minimum)
Mulberry sheets
Extra printing paper, such as Arches Cover*, Somerset*, Rives BFK, Stonehenge, Mulberry and/or Kitakata *Somerset and Arches Cover sheets are not available from the Artworks store
Rives BFK
Five sheets minimum strong paper at least 22×30” (like Stonehenge or Rives BFK) or large roll of paper if you want to stay on paper for all projects- should be paper good for wet media
Stonehenge
Five sheets minimum strong paper at least 22×30” (like Stonehenge or Rives BFK) or large roll of paper if you want to stay on paper for all projects- should be paper good for wet media
Kitakata
Micron Pens
High-quality felt-tip pens such Micron or Faber Castel Pitt, fine point (.01, .02, .03, or .05 work well)
Pitt Artist Pens
High-quality felt-tip pens such Micron or Faber Castel Pitt, fine point (.01, .02, .03, or .05 work well)
Baren or spoon or other tools for hand burnishing
High-quality felt-tip pens such Micron or Faber Castel Pitt, fine point (.01, .02, .03, or .05 work well)
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.