Sculpture
Code: S1111-22
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IV
Level IV
Students have advanced skill and knowledge of digital fabrication. Students are highly motivated and have multiple portfolios of their artwork.
The Center: Object Design and Architecture
Aug 15 - 19, 2022
9AM-5PM
Concept
The innovation of 3-D printing has opened the doors for artists and designers to find new ways to access and develop built environments, architecture and multiple objects that create bold impact. This socially-driven workshop considers how technologies, design, interaction and formal concerns help to aid and give agency to the intervention with, and disruption of, the consequences of existing societal and physical barriers. Creative thinking is encouraged as the basis for finding ways to use objects and constructs to enable new forms of consciousness.
This class is in its third year of a 3-year program. Please contact Liz Ferrill for more information about a new section in 2023.
Media & Techniques
Developing public art/interactive plans/proposals, designing and 3-D printing, object making, interactive sculpture
Faculty
Ronald Rael
Professor Ronald Rael is the Eva Li Memorial Chair in Architecture in the Department of Architecture in the College of Environmental Design, and is Chair of the Department of Art Practice at the University of California Berkeley. His past leadership roles have included serving as Department Chair, Director of the Masters of Architecture, and Director of the Masters of Advanced Architectural Design programs. He is distiguished as being both a Bakar and Hellman Fellow, and directs the printFARM Laboratory (print Facility for Architecture, Research and Materials). His research interests connect indigenous and traditional material practices to contemporary technologies and issues and he is considered to be a design activist, author, and thought leader within the topics of additive manufacturing, borderwall studies, and earthen architecture. The London Design Museum awarded his creative practice, Rael San Fratello, (with architect Virginia San Fratello), the Beazley Award in 2021 for the design of the year, one of the most prestigious awards in design internationally. In 2014 his practice was named an Emerging Voice by The Architectural League of New York—one of the most coveted awards in North American architecture. In 2016 Rael San Fratello was also awarded the Digital Practice Award of Excellence by the The Association for Computer Aided Design in Architecture (ACADIA). Rael earned his Master of Architecture degree at Columbia University in the City of New York, where he was the recipient of the William Kinne Memorial Fellowship. Previous academic and professional appointments include positions at the Southern California Institute for Architecture (SCI_arc), Clemson University, the University of Arizona, and the Office for Metropolitan Architecture in Rotterdam. His work has been published widely, including the New York Times, Wired, MARK, Domus, Metropolis Magazine, PRAXIS, Thresholds, Log, Public Art Review, and recognized by several institutions including La Biennale di Venezia, the Graham Foundation for Advanced Studies in the Fine Arts, LACMA, Storefront for Art and Architecture, the Center for Fine Arts, Netherlands, For Freedoms, the YBCA 100, and included in the permanent collection of The Museum of Modern Art in New York, The Cooper Hewitt Smithsonian Design Museum, The London Design Museum, The San Francisco Museum of Modern Art, the FRAC Centre, and the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya.
Del Harrow
Del Harrow lives and works in Fort Collins, CO, with his wife, potter Sanam Emami, and their son, William. He is a Colorado State University professor teaching sculpture, digital fabrication, and ceramics. His work is in the permanent collections of the Arizona State University Art Museum, The US State Department Art in Embassies Collection, and the Museum of Fine Arts, Houston.
Ronald Rael, Teeter-totter Wall
Join Waitlist for The Center: Object Design and Architecture
Thank you for your interest in the waitlist. When space in a workshop or program becomes available, registration will open on the website. Everyone on the waitlist will be emailed to alert them of the opening. This ensures that everyone has an equal opportunity to register for the workshop or program.
Sculpture
Express your creativity and vision by exploring the limitless art of sculpture. At Anderson Ranch, our sculpture program offers a vibrant spectrum of workshops that reflect a variety of studio practices. At the confluence of tradition and technology, these programs are material and technique-rich, ranging from classical metal fabrication to experimental digital production.
Students work in communal and interactive studios designed for all levels of experience, supporting traditional and nontraditional methods. The sculpture studios are fully equipped with advanced machinery and offer additional outdoor covered workspace.
Our renowned sculpture faculty work closely with students through critical discussions, material demonstrations and individual assistance. Instructors encourage exploration and experimentation, emphasizing process and idea development. We complement this with a focus on process and sound construction. You leave with far more than finished pieces—you walk away with the tools and inspiration required to elevate your studio practice.
Workshop Details
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
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I
Level I
Students are new to sculpture and have no formal training.
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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
Jun 2 - 6, 2025
9AM-5PM
The Brutal and the Delicate: Steel Combined with Soft Materials
Carl Reed
Tuition $1,290
Code S0102-25
Throughout art history, steel has been associated with industry, violence, and strength. This workshop challenges such connections by investigating ways steel can become visually delicate, and by inventing new meanings and visual relationships through combining steel with materials with opposite characteristics. Exercises address technical and creative inquiries regarding how steel is cut, shaped, and physically joined, and how to challenge material assumptions if steel becomes a secondary, rather than primary, compositional element. We explore the aesthetic and technical consequences of combining steel with soft, vulnerable, contradictory, and unexpected materials.
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II
Level II
Students have a basic knowledge of 3-D art making and sculpture concepts and are comfortable using a variety of hand and power tools. Students have taken one or two sculpture classes or workshops.
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III
Level III
Students have experience with a variety of materials and fabrication techniques and know how to use hand and power tools competently and safely. Students are self-starting with some formal training in critical aspects of sculpture and have completed a portfolio of work. Students have taken a minimum of three classes or workshops.
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IV
Level IV
Students have advanced skills and knowledge of sculpture. Students are highly motivated, have a minimum of five years experience in the field and have multiple portfolios of their artwork. Typical students are academics and professional artists.
Jun 2 - 13, 2025
9AM-5PM
Building With Clay and Steel
Trey Hill
Tuition $2,010
Code S0101-25
Investigate new materials and approaches to building sculpture in this two-week exploratory workshop. Students discover innovative ways to combine different materials, creating dynamic mixed-media sculptures. This workshop experiments with adding different materials to students’ work—such as clay, steel, and found objects—while considering how each adds formal information and intensified content. This rigorous studio environment gives access to a variety of new materials and fresh ways of approaching students’ studio practice. The workshop is open to students working in any media who are looking to try something different and add new skills to their toolbox.