Ceramics
Code: C1114-23
-
IV
Level IV
Students have advanced skills and knowledge of the ceramics field. Students are highly motivated, have a minimum of five years experience in the field and have a portfolio of their artwork. Typical students are academics and professional artists.
The Center: The Mold and Matrix: Ceramic Process and Narrative Form
Aug 14 - 25, 2023
9AM-5PM
Concept
This three-year mentorship program is intended for ceramic artists interested in critical feedback as well as being immersed in a creative community who are at a point of transition in their lives, careers, or artistic practices. Emphasis is placed on seeking connections, metaphors, and symmetries between processes for forming clay and developing ways of generating meaning. The objects we make tell stories and propose worlds. A coil or mold are both techniques for forming clay and also propositions about the meaningful interface of material, body, mind, economy, and culture. We focus on ways stories emerge from physical objects and how narratives give structure to physical form. We welcome participants from many different backgrounds and experiences, centering on work in clay but with the potential for different outcomes: work in other materials, writing, sculpture or design.
This is the first year of a 3-year program; please note that the cost of tuition, studio fee, and the registration fee is per year.
If you have an interest in joining this program, applications will be accepted on a rolling basis. Please send your portfolio to our Studio Coordinator of Ceramics Joanne Lee if you’re interested in joining.
Media & Techniques
Handbuilding, wheel throwing, mold making, gas firing, electric firing, stoneware, porcelain
Supply ListFaculty
Ebitenyefa Baralaye
Ebitenyefa Baralaye is a ceramicist, sculptor, and educator. His work explores objects, text, bodies, and patterns abstracted through a diaspora lens and the aesthetics of craft. Baralaye’s work has been exhibited nationally and internationally. He is currently an assistant professor in Ceramics at the College for Creative Studies in Detroit, MI.
Del Harrow
Del Harrow lives and works in Fort Collins, CO, with his wife, potter Sanam Emami, and their son, William. He is a Colorado State University professor teaching sculpture, digital fabrication, and ceramics. His work is in the permanent collections of the Arizona State University Art Museum, The US State Department Art in Embassies Collection, and the Museum of Fine Arts, Houston.
Del Harrow, Simmel
Ceramics
In 1966, American ceramicist Paul Soldner selected the site for what is now Anderson Ranch Arts Center, forming the foundation for a thriving ceramics program. Then and now, Anderson Ranch is a place where students exchange ideas and examine ceramic art and pottery techniques. It has always been a place where seminal moments of growth happen in an artist’s creative and critical thinking. Here, both beginning and emerging artists gain strong fundamental support, while established artists achieve new perspectives and advance their techniques.
The Ranch Ceramics team provides support, feedback and technical problem-solving, giving each artist the freedom to experiment and grow. Our primary focus is on personal advancement through a process of creative discovery.
The Soldner Ceramics Center makes up more than 10,000 square feet in three buildings with 3 studio spaces and 1 kiln yard; Soldner Studio, Long Studio, Sorenson Studio and Lyeth/Lyon Kiln Building. Soldner and Long studios are used for wheel-throwing, hand-building, or general ceramics creativity. Sorenson studio is equipped with five PotterBot 3d clay printers. The Lyeth/Lyon kiln building is equipped with gas, electric, soda and wood kilns for both oxidation and reduction firing at all temperature ranges. The Ranch offers three wood kilns including a gas/wood hybrid kiln, three gas reduction kilns, one soda kiln and eleven high-temperature electric kilns.
Anderson Ranch is happy to extend a 20% tuition discount* in summer one- or two-week adult ceramics workshops for NCECA members. Please email reg@
Workshop Details
Workshop Supplies
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
NEW: Tuition includes a welcome dinner and lunches. In our effort to foster a stronger sense of community and accessibility at Anderson Ranch, we include the welcome dinner and all lunches as part of the tuition for summer workshop students. Our hope is that this adjustment will encourage all students to come together to share meals and engage in meaningful conversations. The Ranch Café Meal Plan, which is included with Room and Board fees, strives to provide healthy, creative meals that will nourish your artistic creativity. Learn more.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
Jan 6 - 24, 2025
Monday-Friday, 9AM-5PM
Participants may register for one, two, or three weeks
TUITION is $1,110 per week or $3,300 for three weeks
January Studio Sessions: Ceramics
Joanne Seongweon Lee
Tuition $1,110
Code ZSC0101-25
Anderson Ranch’s January Studio Sessions provide artists the opportunity to work on independent projects while receiving mentoring and critique sessions with Anderson Ranch artistic staff and interns. Each participant receives an assigned studio space, orientation, and access to equipment, as well as some morning group demonstrations and / or critiques. This program affords artists the experience enjoyed by national and international artists who access our state-of-the-art studios. Participants may expand their practices, take artistic risks, try new media or complete works for exhibition. *Studios are open 24 hours a day and on weekends for students enrolled in multiple weeks, with limited use of equipment due to safety requirements. The machine rooms are only available when monitored – weekdays 9 AM-5 PM. Evening monitoring hours are Mondays - Thursdays, 7 – 9 PM. IMPORTANT DETAILS: Students will be responsible for all material costs associated with their projects. Participants who register for multiple consecutive weeks will gain access to the studios on weekends (with the exception of the machine rooms due to safety constraints.) Private dorm rooms are available at Anderson Ranch for one, two or three weeks for an additional fee; click here to view January 2025 lodging options. TO APPLY: Applicants must submit project proposals or portfolios for approval. Contact Betsy Alwin to apply: [email protected]
-
O
Open to All
Students of any skill and knowledge level.
Jun 2 - 6, 2025
9AM-5PM
Blue and White Tradition: Paint with the Conscious and Subconscious Mind
Sin-ying Ho, Philip Reed
Tuition $1,390
Code C0102-25
Join us in the exploration of historic and contemporary techniques of blue and white porcelain painting. Originating in the Yuan Dynasty and flourishing in the Ming Dynasty, this artform continues to thrive in China. The workshop examines the influence of both the conscious and subconscious mind on design, blending Eastern and Western concepts. Ho teaches traditional Chinese blue and white painting techniques using cobalt underglaze, while Reed showcases contemporary methods including glaze and underglaze painting, 4D design, digital decal transfer, and innovative re-firing and reglazing techniques. This workshop is ideal for artists and enthusiasts seeking to deepen their porcelain painting skills.
-
I
Level I
Students are new to ceramics and have no formal training.
-
II
Level II
Students have a basic understanding of forming techniques, such as throwing and hand building. Students have taken one or two ceramics classes or workshops.
Jun 9 - 20, 2025
9AM-5PM
Work and Play: Expressions in Clay
Minsoo Yuh
Tuition $1,910
Code C0203-25
This workshop focuses on creating utilitarian pots through various methods including wheel throwing, slab building, and coiling. Firing is with gas reduction at high temperature. Students explore various slip application techniques, including brushing, pouring, inlaying, stamping, and carving. Emphasizing creativity and experimentation, participants learn how to use these methods to express their unique artistic voices in clay and surface. Some experience with basic wheel-throwing and working with clay is recommended. This class offers the opportunity to enhance your skills, deepen your understanding of clay, and discover new ways to express yourself through ceramics.