Painting & Drawing
Code: D1225-24
-
IV
Level IV
Students have advanced skill and knowledge of painting and drawing. Students are highly motivated and self-directed, have a minimum of five years experience in their field and have multiple portfolios of their artwork. Portfolio review is required for admittance to some Level IV classes.
The Center: Topics in Painting: Studio Practice and Critique
Aug 19 - 23, 2024
9AM - 5PM
Concept
This three-year advanced mentorship program encourages each student to push their studio practice. Working at a rigorous pace, and engaging in critical dialog with the group and with the instructors in individual critique, artists refine and expand their investigations. Wide-ranging topics include concept and approach to contemporary art practice as well as technical and material explorations. Students are expected to work independently with the support of their class peers and instructors, raising the ambition of their own studio goals. Although primarily a painting workshop, participation by installation artists and other artists working across media is encouraged. The goal of the series is for students to gain community, develop insight into their work and, through discussion, challenge themselves to reflect on their artistic intentions. Critiques occur in person at the Ranch as well as virtually during fall and spring each year.
2024 is the third year of this three-year intensive program. For more information about our next session of The Center, which begins in 2025, please contact Liz Ferrill, Director of Painting, Drawing, and Printmaking at [email protected].
Media
Materials of students’ choosing.
Supply ListFaculty
Shahzia Sikander
Shahzia Sikander is widely celebrated for subverting pre-modern and classical Central and South-Asian miniature painting traditions into dialogue with contemporary international art practices and launching the form known today as neo-miniature. Recipient of the MacArthur grant, Sikander’s early work is touring at the Morgan Library, the RISD museum, and MFA Houston in 2021-2022.
Holly Hughes
Holly Hughes is a frequent Ranch faculty member and professor emeritus of painting at Rhode Island School of Design. Having exhibited nationally and internationally, Holly’s painting has been greatly influenced by both ceramic and printmaking practice and research. She loves “Salon Style” installations—the mixing of these genres on the wall—such as BLAZON created for the Dorsky Museum.
Shahzia Sikander, Pleasure Pillars, 2001
Tuition: $1,700.00
Studio Fee: $100.00
Registration Fee: $45.00
Painting & Drawing
Make, reflect, consider, engage—these are all critical elements of the Painting and Drawing workshops at Anderson Ranch. Our exceptional workshops combine focused, hands-on art making with critical feedback for artists of all levels. Painting and Drawing guest faculty are phenomenal artists and educators with experience supporting students by offering technical knowledge and encouragement.
The bright, natural light of the Wyly Painting and Drawing Building provides an inspiring environment where students can explore and expand their artistic practice. Our facilities are equipped with individual worktables, wall space, easels, rolling palettes, odorless solvents, a wide range of hand and power tools, computer access with Adobe software, wi-fi, printing, scanning, and projection capabilities. Spend a week here— or several—and engage in a variety of activities that will fuel your practice throughout the year.
Workshop Details
Supply List
Many of the items you'll need are available in the ArtWorks Store. Please click "View Full Supply List" to see a comprehensive list of items you'll need for this workshop.
Lodging & Meals
Housing is limited and includes shared and private lodging options. Reservations will be managed on a first-come, first-served basis. The earlier you reserve housing, the better your chance of receiving your preferred option. Please note: Workshop costs do not include accommodations.
We have established a Business Safety Plan with added layers of precaution that prioritize the health and safety of our staff, students, faculty and guests while continuing to provide you with the Anderson Ranch experience that you know and enjoy.
The Ranch Café meal plan that is included with Room and Board fees strives to provide healthy, creative meals that will nourish your artistic creativity. The meal plan includes 5 days of continental breakfasts that will include a hot offering, 5 lunches with a selection of offerings, and 5 dinners.
Related Events
Scholarships, College Credit & Discounts
Making Art Accessible
Applications for scholarship support are encouraged. Specific scholarships are funded by Ranch supporters, either through endowed funds or special gifts.
Many colleges and universities offer college credit for workshops taken at Anderson Ranch. Discounts are available for students and teachers.
You Might Also Be Interested In
-
O
Open to All
Students of any skill and knowledge level.
Aug 19 - 23, 2024
9AM - 5PM
Gouache and Mixed Media
Yolanda Gonzalez
Tuition $1,225
Code D1227-24
Participants embrace nature, color, and shape in this mixed media workshop, allowing nature, just outside the door, to inspire dynamic abstracts as they develop lines, patterns, and repetitions. Students sketch their vision, handcraft their color palette on tissue, and dive into the richness of gouache—a true gift for color enthusiasts. Together, the class explores composition on paper and wood panels, taking cues from the natural world, all while deepening an understanding of collage. Daily prompts fuel creativity, and the instructor is there to guide, sharing demos and insights as students transform raw inspiration into vivid artistry on a colorful journey.
-
O
Open to All
Students of any skill and knowledge level.
Aug 19 - 23, 2024
9AM - 5PM
Image Transfer and Collage: Paper, Fabric and Stencil
Kristy Deetz
Tuition $1,225
Code D1226-24
In this exciting and experimental mixed-media acrylic painting workshop, participants explore the opaque and translucent possibilities of image transfer. Transferring images with various acrylic mediums onto paper and fabric uncovers dynamic associations between the images, patterns in the fabric, characteristics of the substrate, and the painted mark. Stencils and collage provide additional new approaches to layering and more ways to reveal and conceal surface, substrate, and idea. Students generate new tools to add to their studio practice as well as plenty of time to experiment and push their imagery in new ways.
-
O
Open to All
Students of any skill and knowledge level.
Aug 26 - 30, 2024
9AM - 5PM
Surface Studies: Melding Images and Materials through Collage
Genevieve Lowe
Tuition $1,225
Code D1330-24
This class expands on the traditional collage methods and explores new ways to express ideas visually. Using mixed media and an introduction to press-free printmaking techniques—including stencils, pochoir, and basic transfer processes— participants investigate ways to build up imagery and textures that elevate mixed media materials. Students experiment with new techniques demonstrated daily in class and explore forms of expression that may not feel as intuitive. Then, students focus on ways to challenge and enhance their artistic strengths by working on multi-day, deliberate projects that produce a personal visual vocabulary and strive toward more advanced, completed work.